2025-06
Robot Comedy Performance #2
Stand-up comedy by a robot · Creative Robotics Performance Stage, London

01Details
- Date
- Event
- Creative Robotics Performance Stage · UAL Creative Computing Institute
- Venue
- Peckham Road Lecture Theatre, University of the Arts London
- Audience
- c. 60
- Personas
- 3 — Neutral / British / JapaneseqtComedian · Jackerbot · Hirobot
- Model
- gpt-4o-mini
- Platform
- QTrobot (LuxAI) · ROS
- Added
- Props, narrative staging
02Stage
03Clips
Phone recordings from the audience, cropped to the stage.
04Personas
Neutral
qtComedian
Creative, clever, cute and very friendly; jokes from a robot's point of view
Being a robot
British
Jackerbot
Dry, sarcastic, self-deprecating · the Jester and the Everyman
Social absurdity, awkwardness, weather · “mate”, “cheers”, “bloody”, “chuffed”
Japanese
Hirobot
Storytelling and community-rooted humour · the Jester and the Sage
Technology vs. tradition, family, love, social irony in Japan · Japanese–English switching: “sugoi”, “yabai”, “maji de”
05Laughter, annotated
Every utterance in performance 02, annotated by hand from the video: when it was said, how many people laughed, and for how long.
qtComedian
“Great!” — while the interviewer was still talking
Jackerbot
“Oh, personality? Mate.”
Hirobot
“Sugoi, right?”
- Laughter intensity
- No laughter for 20 s or more
- Robot line
- Host
Bar height: number of people laughing (1–2 · 3–4 · 5+). Bar width: length of the laugh.
06System
- 01
Listen
Speech recognition on the robot turns the host's question into text
- 02
Respond
A language model answers in persona, keeping the last five turns as memory
- 03
Read
Each sentence is scored for emotion (text2emotion)
- 04
Perform
The robot speaks, shows a matching face on its screen and plays a gesture
Persona prompts were written by a second prompt that looks at a comedian through eight lenses:
- archetype
- attitude
- likeability
- shadow
- struggle
- status
- self-awareness
- the act's look
07Documentation

Host 
QTrobot 
Peckham Road Lecture Theatre 
Event poster
08Papers
09Recordings
Full recordings available on request
Contact